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“Dunning, in particular, was an innovative artist,” she explains. The producer immediately went back to Dunning and Coates to create a 90-minute version of the Saturday morning series, and was turned down. Laura notes that Brodax “badgered” Brian Epstein for the rights to do an animated feature, and finally convinced him with the argument that it would fulfill their contract with UA. Deeper voices, facial hair, and more grown up.” This film was not designed for Disney audiences.
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To me, the Beatles in Yellow Submarine are the animated series Beatles after having gone through puberty. This was to be the film, but that was thwarted very quickly by The Beatles’ management, who had a very different vision for a Beatles animated feature film. Why mess with a very good money-making thing? As a matter of fact, very early on in the process of envisioning a feature film, there was an ad in Variety magazine in December 1965 announcing four new half-hour Beatles cartoons specials in progress.
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Mitchell Axelrod, author of Beatletoons, the only book written about that series, shares with us, “The Beatles cartoon series was so enormously successful that Brodax wanted to take advantage of this success and make a full length animated film version. The caricature style was out-dated already, and The Beatles themselves especially hated the series, saying it made them look like the bloody Flintstones.” None of them liked the cartoon series, they just cranked them out week after week, framing loose slapstick plots around the new songs as they came out. He farmed out the work to a young animation company in London run by George Dunning and John Coates. “His chutzpah resulted in one of the hundreds (thousands?) of licensing deals that Beatles manager Brian Epstein arranged at the height of Beatlemania, which resulted in the cartoon that ran for three years on ABC to enormous ratings. Hieronimus of the books Inside the Yellow Submarine and It’s All in the Mind, in an exclusive interview. “Al Brodax was the stereotypical New York fast-talking producer, heavy on the schmooze factor, cigar chomped in his teeth,” explains Laura E. The fabs themselves were voiced by other people who, frankly, sounded nothing at all like them, and for every person who loves the show, there’s another that simply doesn’t get it. The Saturday morning Beatles cartoon that preceded Yellow Submarine consisted of mini-episodes, the plots of which were inspired by the group’s songs. That’s how they got into the movie.” Saturday Morning Beatles
I had the idea, a promotional idea, really, about John’s warning of Blue Meanies surrounding the theater. But they loved what they’d seen they’d never seen anything like it, and they demanded, almost, that they be in the film. Ringo was the most interested and his only complaint was that his nose was not quite long enough. “What happened was they wanted to see the footage. “We never had any idea of including them at all,” Al told Beatlefan magazine. As things would turn out, though, this did not end up fulfilling the group’s contractual obligation, despite the fact they made a live-action cameo appearance at the end (sorry, Fabs). Al Brodax, who had produced a Saturday morning animated series based on the band (which they despised), struck a deal for an animated film that wouldn’t require The Beatles to provide their voices and only four songs. 2 and the graphic novel adaptation of the film from writer/artist Bill Morrison and Titan Comics.īack at the height of Beatlemania in the mid-1960s, the Fab Four (you know, John Lennon, Paul McCartney, George Harrison, and Ringo Starr) signed a three-picture deal with United Artists, resulting in the box office (and soundtracks) hits A Hard Day’s Night (1964) and Help! (1965), after which their interest in a follow-up was virtually non-existent. And joining it will be the making of book, It’s All in the Mind: Inside The Beatles’ Yellow Submarine, Vol.
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Such is the premise of the animated movie Yellow Submarine, which, in celebration of its 50th Anniversary, is returning to select theaters for special showings. Armed with their music and the most powerful weapon of all, love, The Beatles must stop the Blue Meanies from destroying everything near and dear to the people of Pepperland.
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